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	<title>Comments for AP European History</title>
	<link>http://blogs.ucls.uchicago.edu/apeh</link>
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	<pubDate>Tue, 07 Oct 2008 08:06:36 +0000</pubDate>
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		<title>Comment on Essay questions for test on Sept. 29 by Rose Traubert</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2811</link>
		<author>Rose Traubert</author>
		<pubDate>Sun, 28 Sep 2008 17:55:08 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2811</guid>
		<description>Mr. Janus,
This is the 2nd time I have posted this and I am not sure if it is working.
Rose


I.	“One of the tasks of women’s history is to call into question accepted themes of periodization”
a.	a sexist renaissance during the renaissance
i.	Men had more social power and options while women’s options grew sparse
ii.	Women were supposed to live in a more domesticated area while men led superior lives
iii.	There are 4 ways to realize the loss in power for women in the renaissance
1.	The regulating of female sexuality
2.	Women lost economic and political power
3.	The cultural roles of women were confined to their home
4.	Ideology about women
iv.	The renaissance brings about an oppression of women and of female freedom/participation in society
II.	Medieval women…c. 13th century
a.	Courtly love
i.	Women were able to express themselves through courtly love
ii.	A feeling of equality between lovers was attained
iii.	Sometimes, if a wife wanted to be loyal to their husband they would have a courtly love to separate the passion from their marriage and to fulfill their needs.
iv.	Chivalry was also important. A lover would revere his partner as a beautiful statue and more than anything else
v.	Women, even if they had a son, when their husbands were gone, would preside over the court
vi.	People didn’t care who was a legitimate child
b.	Medieval Literature
i.	Women were key in troubadour poetry
1.	Countess Beatrice of Die
2.	Marie de France
ii.	There are 2 types of courtly literature
1.	Romantic
2.	Lyrical
iii.	In Andreas Capellanus’ Art of Courtly Love he says that a man can take a peasant girl by force but if the woman is a noblewoman the man must do whatever he thinks will please her
iv.	Chretien de Troyes writes Lancelot, a book about chivalry and courtly love
v.	Women shaped all of these things because they had the power to do it.
III.	The renaissance woman in politics and culture
a.	Women lose power
i.	Women didn’t have any political influence anymore and their lives were restricted to a domestic life
ii.	The most influence a renaissance woman could have is to marry a noble and commission works of art
iii.	Castiglione wrote The Courtier about the way renaissance love and manners should be
iv.	Male tutors taught the girls as well giving them a male outlook on history
b.	Renaissance women
i.	Caterina Sforza
1.	She used virtú, fearlessness and ambition to save the power of the duchy of Milan
2.	Leads an army against the invaders and she wins
3.	Takes power when her husband is assasinated
ii.	Elisabetta Gonzaga
1.	Ideal duchess that The Courtier describes
2.	She had no interest in hunting or fighting
3.	She busied herself with domestic life and with no interest in gaining power
iii.	The women had completely different approaches to the renaissance and both were very strong female figures of the time
IV.	Chastity
a.	Castiglione says that men should have sexual freedom and that women shouldn’t
i.	This presents a problem because women need to have sexual freedom for men to
b.	If women are the more beautiful image of God they should be revered and loved even more than men
c.	Joan Kelly argues that the theory about love is reversed and that women have to take care of and serve the men as opposed to him serving her
V.	Conclusion
a.	The relationship between the sexes in the renaissance was not one of equality. There was a lord and servant relationship and it was because of the demotion that women lost so much power
b.	All the advances that the renaissance has to offer show women as an object to be attained, not as another human being trying to attain the same thing.</description>
		<content:encoded><![CDATA[<p>Mr. Janus,<br />
This is the 2nd time I have posted this and I am not sure if it is working.<br />
Rose</p>
<p>I.	“One of the tasks of women’s history is to call into question accepted themes of periodization”<br />
a.	a sexist renaissance during the renaissance<br />
i.	Men had more social power and options while women’s options grew sparse<br />
ii.	Women were supposed to live in a more domesticated area while men led superior lives<br />
iii.	There are 4 ways to realize the loss in power for women in the renaissance<br />
1.	The regulating of female sexuality<br />
2.	Women lost economic and political power<br />
3.	The cultural roles of women were confined to their home<br />
4.	Ideology about women<br />
iv.	The renaissance brings about an oppression of women and of female freedom/participation in society<br />
II.	Medieval women…c. 13th century<br />
a.	Courtly love<br />
i.	Women were able to express themselves through courtly love<br />
ii.	A feeling of equality between lovers was attained<br />
iii.	Sometimes, if a wife wanted to be loyal to their husband they would have a courtly love to separate the passion from their marriage and to fulfill their needs.<br />
iv.	Chivalry was also important. A lover would revere his partner as a beautiful statue and more than anything else<br />
v.	Women, even if they had a son, when their husbands were gone, would preside over the court<br />
vi.	People didn’t care who was a legitimate child<br />
b.	Medieval Literature<br />
i.	Women were key in troubadour poetry<br />
1.	Countess Beatrice of Die<br />
2.	Marie de France<br />
ii.	There are 2 types of courtly literature<br />
1.	Romantic<br />
2.	Lyrical<br />
iii.	In Andreas Capellanus’ Art of Courtly Love he says that a man can take a peasant girl by force but if the woman is a noblewoman the man must do whatever he thinks will please her<br />
iv.	Chretien de Troyes writes Lancelot, a book about chivalry and courtly love<br />
v.	Women shaped all of these things because they had the power to do it.<br />
III.	The renaissance woman in politics and culture<br />
a.	Women lose power<br />
i.	Women didn’t have any political influence anymore and their lives were restricted to a domestic life<br />
ii.	The most influence a renaissance woman could have is to marry a noble and commission works of art<br />
iii.	Castiglione wrote The Courtier about the way renaissance love and manners should be<br />
iv.	Male tutors taught the girls as well giving them a male outlook on history<br />
b.	Renaissance women<br />
i.	Caterina Sforza<br />
1.	She used virtú, fearlessness and ambition to save the power of the duchy of Milan<br />
2.	Leads an army against the invaders and she wins<br />
3.	Takes power when her husband is assasinated<br />
ii.	Elisabetta Gonzaga<br />
1.	Ideal duchess that The Courtier describes<br />
2.	She had no interest in hunting or fighting<br />
3.	She busied herself with domestic life and with no interest in gaining power<br />
iii.	The women had completely different approaches to the renaissance and both were very strong female figures of the time<br />
IV.	Chastity<br />
a.	Castiglione says that men should have sexual freedom and that women shouldn’t<br />
i.	This presents a problem because women need to have sexual freedom for men to<br />
b.	If women are the more beautiful image of God they should be revered and loved even more than men<br />
c.	Joan Kelly argues that the theory about love is reversed and that women have to take care of and serve the men as opposed to him serving her<br />
V.	Conclusion<br />
a.	The relationship between the sexes in the renaissance was not one of equality. There was a lord and servant relationship and it was because of the demotion that women lost so much power<br />
b.	All the advances that the renaissance has to offer show women as an object to be attained, not as another human being trying to attain the same thing.</p>
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		<title>Comment on Essay questions for test on Sept. 29 by Benjamin Postone</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2810</link>
		<author>Benjamin Postone</author>
		<pubDate>Fri, 26 Sep 2008 15:02:15 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2810</guid>
		<description>ARETE
              
In our readings about Renaissance ideas and philosophies, the word areté does not seem to appear. The idea, however, more commonly known as virtú, played a pivotal role in the transformation of European ideas and values from those of the Middle Ages to those of the Renaissance.
Areté means virtue, excellence, or goodness in Greek. Originally used by Homer, it was associated with bravery and effectiveness. Later, Socrates extended the term to refer to knowledge.
As life in Europe shifted from manors and villages to towns and cities, people became more exposed to a greater range of political and economic issues. This caused them to think about the effectiveness and morality of human actions in new ways. In earlier centuries the Church had been the source of moral standards. Virtues such as piety were highly valued. In the fourteenth century, however, the Church was in turmoil during the Great Schism; war and plague devastated Europe. People began to rethink issues of morality and turned to Classical Greece and Rome. The idea of areté was recovered and adopted as a virtue. During the Renaissance, a distinction was made between two types of virtues: the “moral” virtues, preached by the Church, and the “non-moral” virtues, which were considered forms of areté or virtú. 
The use of the Greek idea of areté can be seen in the works of important Renaissance writers. Dante, following Aristotle, argued that something is virtuous when it does what it was created to do. Therefore, speech, for example, is virtuous when it properly conveys an idea, not when it merely is full of grandeur. Perhaps the best known use of virtú as a translation of areté is in the works of the political theorist, Machiavelli. Machiavelli was not interested in the moral virtues of the Church, but with the effectiveness, the virtú or areté, of a ruler. He also used the word virtú very often to describe the military capabilities of a person or city. Of all the Renaissance writers, Machiavelli was the one who came closest in his use of virtú to the Greek idea of areté. His conception was fundamentally secular.
Areté originated as the Greek word for virtue that was tied to the idea of effectiveness. This idea of effectiveness became very important during the Renaissance when people began to shift away from the Church ideals of moral virtues and towards the more secular ideal of areté (virtú).</description>
		<content:encoded><![CDATA[<p>ARETE</p>
<p>In our readings about Renaissance ideas and philosophies, the word areté does not seem to appear. The idea, however, more commonly known as virtú, played a pivotal role in the transformation of European ideas and values from those of the Middle Ages to those of the Renaissance.<br />
Areté means virtue, excellence, or goodness in Greek. Originally used by Homer, it was associated with bravery and effectiveness. Later, Socrates extended the term to refer to knowledge.<br />
As life in Europe shifted from manors and villages to towns and cities, people became more exposed to a greater range of political and economic issues. This caused them to think about the effectiveness and morality of human actions in new ways. In earlier centuries the Church had been the source of moral standards. Virtues such as piety were highly valued. In the fourteenth century, however, the Church was in turmoil during the Great Schism; war and plague devastated Europe. People began to rethink issues of morality and turned to Classical Greece and Rome. The idea of areté was recovered and adopted as a virtue. During the Renaissance, a distinction was made between two types of virtues: the “moral” virtues, preached by the Church, and the “non-moral” virtues, which were considered forms of areté or virtú.<br />
The use of the Greek idea of areté can be seen in the works of important Renaissance writers. Dante, following Aristotle, argued that something is virtuous when it does what it was created to do. Therefore, speech, for example, is virtuous when it properly conveys an idea, not when it merely is full of grandeur. Perhaps the best known use of virtú as a translation of areté is in the works of the political theorist, Machiavelli. Machiavelli was not interested in the moral virtues of the Church, but with the effectiveness, the virtú or areté, of a ruler. He also used the word virtú very often to describe the military capabilities of a person or city. Of all the Renaissance writers, Machiavelli was the one who came closest in his use of virtú to the Greek idea of areté. His conception was fundamentally secular.<br />
Areté originated as the Greek word for virtue that was tied to the idea of effectiveness. This idea of effectiveness became very important during the Renaissance when people began to shift away from the Church ideals of moral virtues and towards the more secular ideal of areté (virtú).</p>
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		<title>Comment on Essay questions for test on Sept. 29 by Claire M</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2809</link>
		<author>Claire M</author>
		<pubDate>Fri, 26 Sep 2008 04:21:53 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2809</guid>
		<description>. "A son can bear with equanimity the loss of his father, but the loss of his inheritance may drive him to despair."

-Obama proposes middle-class tax-cuts.
-McCain promises fiscal responsibility that will lessen people's tax burdens.

II. "Before all else, be armed."
and
"For among other evils caused by being disarmed, it renders you contemptible; which is one of those disgraceful things which a prince must guard against. "

-McCain=military man, very good combat reputation, talks about bombing/deterring Iran.
-Obama tries to hedge against this advantage McCain has by supporting striking Pakistan via India.

III. "I'm not interested in preserving the status quo; I want to overthrow it."

-Both candidates claim to be "change" candidates; both say they are "postpartisan" and different from others who came before them. 
-McCain is not doing a very good job at this--he is perceived as very similar to Bush.

IV. "A prince... must seem to be all... religion"

-Sarah Palin chosen to appeal to fundamentalist christians.
-Backlash against her proves that we no longer live in an age like machiavellli's; religious faith perhaps no longer paramount.  However, patriotic faith still emphasized by both campaigns.
-Both candidates profess that they are very faithful in their authobiographies.
-"obama is a muslim"/"terrorist fist-bump"=republicans trying to destroy people's belief that Obama shares their faith &#38; values.

V. "One must... be a fox to recognize traps, and a lion to recognize wolves."

-Obama seeks to "avoid being swiftboated"; fox

-O also is charismatic speaker, appealing to people's anger about the war and about Bush; lion.

-McCain goes to Washington, avoiding debates on Friday; fox.
-Celebrates his reputation as a "maverick"; lion.

-Ad bashing palin-bashers actually used pictures of wolves to represent the liberal media.

-Both candidates claim they are post-partisan, rarely attack each other, but there are external organizations on both sides which put out quite vitriolic attack ads; fox.




Quotes are from machiavelli's "the prince," courtesy of our machiavelli packet, and of http://www.brainyquote.com/quotes/authors/n/niccolo_machiavelli.html</description>
		<content:encoded><![CDATA[<p>. &#8220;A son can bear with equanimity the loss of his father, but the loss of his inheritance may drive him to despair.&#8221;</p>
<p>-Obama proposes middle-class tax-cuts.<br />
-McCain promises fiscal responsibility that will lessen people&#8217;s tax burdens.</p>
<p>II. &#8220;Before all else, be armed.&#8221;<br />
and<br />
&#8220;For among other evils caused by being disarmed, it renders you contemptible; which is one of those disgraceful things which a prince must guard against. &#8221;</p>
<p>-McCain=military man, very good combat reputation, talks about bombing/deterring Iran.<br />
-Obama tries to hedge against this advantage McCain has by supporting striking Pakistan via India.</p>
<p>III. &#8220;I&#8217;m not interested in preserving the status quo; I want to overthrow it.&#8221;</p>
<p>-Both candidates claim to be &#8220;change&#8221; candidates; both say they are &#8220;postpartisan&#8221; and different from others who came before them.<br />
-McCain is not doing a very good job at this&#8211;he is perceived as very similar to Bush.</p>
<p>IV. &#8220;A prince&#8230; must seem to be all&#8230; religion&#8221;</p>
<p>-Sarah Palin chosen to appeal to fundamentalist christians.<br />
-Backlash against her proves that we no longer live in an age like machiavellli&#8217;s; religious faith perhaps no longer paramount.  However, patriotic faith still emphasized by both campaigns.<br />
-Both candidates profess that they are very faithful in their authobiographies.<br />
-&#8221;obama is a muslim&#8221;/&#8221;terrorist fist-bump&#8221;=republicans trying to destroy people&#8217;s belief that Obama shares their faith &amp; values.</p>
<p>V. &#8220;One must&#8230; be a fox to recognize traps, and a lion to recognize wolves.&#8221;</p>
<p>-Obama seeks to &#8220;avoid being swiftboated&#8221;; fox</p>
<p>-O also is charismatic speaker, appealing to people&#8217;s anger about the war and about Bush; lion.</p>
<p>-McCain goes to Washington, avoiding debates on Friday; fox.<br />
-Celebrates his reputation as a &#8220;maverick&#8221;; lion.</p>
<p>-Ad bashing palin-bashers actually used pictures of wolves to represent the liberal media.</p>
<p>-Both candidates claim they are post-partisan, rarely attack each other, but there are external organizations on both sides which put out quite vitriolic attack ads; fox.</p>
<p>Quotes are from machiavelli&#8217;s &#8220;the prince,&#8221; courtesy of our machiavelli packet, and of <a href="http://www.brainyquote.com/quotes/authors/n/niccolo_machiavelli.html" rel="nofollow">http://www.brainyquote.com/quotes/authors/n/niccolo_machiavelli.html</a></p>
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		<title>Comment on Essay questions for test on Sept. 29 by charlotte l.</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2808</link>
		<author>charlotte l.</author>
		<pubDate>Thu, 25 Sep 2008 18:40:34 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2808</guid>
		<description>Did women have a Renaissance?

A.	Introduction
a.	Definition of Renaissance- a rebirth or remaining of roles/ life
b.	Explain the differing ideas on topic- Kelly/ others 
i.	Kelly- no Renaissance because they weren’t emancipated
1.	Dispute over her definition of Renaissance with relation emancipation.
ii.	Others thought that there was a Renaissance women’s.
c.	Thesis- while women greatly shaped the culture of the Renaissance the actual period was not, for them a Renaissance.
B.	Medieval Women
a.	Courtly love
i.	Freedom between lovers- equality between sexes (sexual freedom)
ii.	Women NOT subservient to man- vassalage- entering into the service of a woman.
iii.	Also benefits the man so it was accepted by society.
b.	Powers of women
i.	Inheritance and administration over land 
ii.	Power during husbands absences (which were often)
iii.	Power was accepted because the men sometimes need the woman’s dowry/ land
iv.	Women had the freedom to take part in “unladylike” tasks- horseback riding, using weaponry etc.
c.	Presence in art- art is the most prominent feature of Renaissance
i.	Literature of courtly love
C.	Renaissance Women
a.	Shaping the culture- family life
i.	Old husband, young wife
1.	the husband was older so he died sooner and his wife inherited the land. She had control over the property and children so was not pressed to marry.
ii.	Women’s values
1.	imparted on her children
iii.	The renaissance man
1.	cultured, appreciated the arts, not unlike the courtly lover
b.	But not benefiting from it
i.	Reduced liberties
1.	Severe decrease in power of women politically
2.	Women were expected to remain away from power
3.	Castiglione- a woman’s job is to be charming not perform unladylike tasks.   A woman’s place is the home a man’s the world
4.	Weren’t in control of their education
5.	Chastity- limiting women’s sexual freedom
ii.	After a husbands death is she really free? 
1.	Can she really do whatever she wants?
2.	Even if she doesn’t have to remarry?
D.	Conclusion
a.	Because women were not emancipated they did not have a renaissance.</description>
		<content:encoded><![CDATA[<p>Did women have a Renaissance?</p>
<p>A.	Introduction<br />
a.	Definition of Renaissance- a rebirth or remaining of roles/ life<br />
b.	Explain the differing ideas on topic- Kelly/ others<br />
i.	Kelly- no Renaissance because they weren’t emancipated<br />
1.	Dispute over her definition of Renaissance with relation emancipation.<br />
ii.	Others thought that there was a Renaissance women’s.<br />
c.	Thesis- while women greatly shaped the culture of the Renaissance the actual period was not, for them a Renaissance.<br />
B.	Medieval Women<br />
a.	Courtly love<br />
i.	Freedom between lovers- equality between sexes (sexual freedom)<br />
ii.	Women NOT subservient to man- vassalage- entering into the service of a woman.<br />
iii.	Also benefits the man so it was accepted by society.<br />
b.	Powers of women<br />
i.	Inheritance and administration over land<br />
ii.	Power during husbands absences (which were often)<br />
iii.	Power was accepted because the men sometimes need the woman’s dowry/ land<br />
iv.	Women had the freedom to take part in “unladylike” tasks- horseback riding, using weaponry etc.<br />
c.	Presence in art- art is the most prominent feature of Renaissance<br />
i.	Literature of courtly love<br />
C.	Renaissance Women<br />
a.	Shaping the culture- family life<br />
i.	Old husband, young wife<br />
1.	the husband was older so he died sooner and his wife inherited the land. She had control over the property and children so was not pressed to marry.<br />
ii.	Women’s values<br />
1.	imparted on her children<br />
iii.	The renaissance man<br />
1.	cultured, appreciated the arts, not unlike the courtly lover<br />
b.	But not benefiting from it<br />
i.	Reduced liberties<br />
1.	Severe decrease in power of women politically<br />
2.	Women were expected to remain away from power<br />
3.	Castiglione- a woman’s job is to be charming not perform unladylike tasks.   A woman’s place is the home a man’s the world<br />
4.	Weren’t in control of their education<br />
5.	Chastity- limiting women’s sexual freedom<br />
ii.	After a husbands death is she really free?<br />
1.	Can she really do whatever she wants?<br />
2.	Even if she doesn’t have to remarry?<br />
D.	Conclusion<br />
a.	Because women were not emancipated they did not have a renaissance.</p>
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		<title>Comment on Essay questions for test on Sept. 29 by Malvika Jolly</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2807</link>
		<author>Malvika Jolly</author>
		<pubDate>Thu, 25 Sep 2008 16:38:44 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2807</guid>
		<description>Malvika Jolly
European History.
Period 5. 

HUMANISM: Christianity

	BASIC CONCEPT: The humanists of the Renaissance were primarily Christians advocating secular value. The Northern humanists found these values consistent with the essential aspects of Christianity and used the critical methods of humanist study to contemplate the Bible. 
	
	Accredited as the founder of Renaissance humanism, Petrarch (1304-1374) is known primarily for his time spent applying the lessons of the Greco-Roman world of antiquity to the questions of Christian principles. By contrasting the Renaissance concept of Virtue and Christian virtue one creates a paradigm between enjoying one’s life now and pursuing Art or waiting on the promise of paradise. When compared like this the two perspectives could not be brought together, essentially they could not use the classics to strengthen their hold on religion. 
	As humanism spread north, northern Europe developed its own Renaissance of sorts with Christianity as a central figure. Though most Italian humanists did not part with their religious morals, they did find that they could not consider the conflicting aspects of Christianity and the classic world. It was the northern humanists who chose not to secularize the scholastic achievements of their time. It was the Dutch humanist Erasmus (1466-1536) who fused together classic and Christian values, writing of the great similarities between the ancient Greco-Roman wisdom and that of the essential teachings of Christianity. John Colet (1467-1519) used the humanist methods of critical analyzing and applied them to the study of the Bible. Erasmus in his 1509 “Colloquies and Praise of Folly” argued that the clergy and other such bodies were at a stage of corruption that could not be easily turned back. They believed that the solution would be to return to the roots of the organized church, thus bringing on the Reformation of the Church.
	Martin Luther (1483-1546) accused the papacy of being far too corrupt for Reformation or redemption and challenged its authority as the spiritual center of the Roman Catholic Church. Luther maintained that Christianity had to be brought back to its essential tenants; first that the Bible is ultimate, that the people can commune directly with God, and lastly that to be rid of their sins the people must truly believe in Crucifixion. 


BIBLIOGRAPHY:

A History of the Modern World. 
Palmer et al.

Erasmus of the Low Countries, chapters 3-4.                        
   James D. Tracy</description>
		<content:encoded><![CDATA[<p>Malvika Jolly<br />
European History.<br />
Period 5. </p>
<p>HUMANISM: Christianity</p>
<p>	BASIC CONCEPT: The humanists of the Renaissance were primarily Christians advocating secular value. The Northern humanists found these values consistent with the essential aspects of Christianity and used the critical methods of humanist study to contemplate the Bible. </p>
<p>	Accredited as the founder of Renaissance humanism, Petrarch (1304-1374) is known primarily for his time spent applying the lessons of the Greco-Roman world of antiquity to the questions of Christian principles. By contrasting the Renaissance concept of Virtue and Christian virtue one creates a paradigm between enjoying one’s life now and pursuing Art or waiting on the promise of paradise. When compared like this the two perspectives could not be brought together, essentially they could not use the classics to strengthen their hold on religion.<br />
	As humanism spread north, northern Europe developed its own Renaissance of sorts with Christianity as a central figure. Though most Italian humanists did not part with their religious morals, they did find that they could not consider the conflicting aspects of Christianity and the classic world. It was the northern humanists who chose not to secularize the scholastic achievements of their time. It was the Dutch humanist Erasmus (1466-1536) who fused together classic and Christian values, writing of the great similarities between the ancient Greco-Roman wisdom and that of the essential teachings of Christianity. John Colet (1467-1519) used the humanist methods of critical analyzing and applied them to the study of the Bible. Erasmus in his 1509 “Colloquies and Praise of Folly” argued that the clergy and other such bodies were at a stage of corruption that could not be easily turned back. They believed that the solution would be to return to the roots of the organized church, thus bringing on the Reformation of the Church.<br />
	Martin Luther (1483-1546) accused the papacy of being far too corrupt for Reformation or redemption and challenged its authority as the spiritual center of the Roman Catholic Church. Luther maintained that Christianity had to be brought back to its essential tenants; first that the Bible is ultimate, that the people can commune directly with God, and lastly that to be rid of their sins the people must truly believe in Crucifixion. </p>
<p>BIBLIOGRAPHY:</p>
<p>A History of the Modern World.<br />
Palmer et al.</p>
<p>Erasmus of the Low Countries, chapters 3-4.<br />
   James D. Tracy</p>
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		<title>Comment on Essay questions for test on Sept. 29 by Nicholas Msall</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2806</link>
		<author>Nicholas Msall</author>
		<pubDate>Thu, 25 Sep 2008 14:47:02 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2806</guid>
		<description>During the late fifteenth and sixteenth centuries, the Renaissance spread itself to Germany, France, England, and Spain, adapting to conditions not present in its birthplace, Italy. In the north, the Renaissance occurred more as a blend of old and new; Italy’s humanistic ideas blending with the north’s emphasis on “the emancipation of humanity’s limitless potentialities” [Palmer, 71]. During this period of the Renaissance, the religious sense in Italy, if not completely extinct, lay in the works of art glorifying God. In the north however, the religious thought “took on a more mystical and soberly moral tone” [Palmer, 71]. More simply put, pagan humanism classified Italy, while Christian humanism vastly took over the north. These northern humanists had nothing in common with Italy’s ideas of paganism; they were solely interested in what constituted original Christianity, and knowing this, they might be capable of reforming the corrupted church of their time. Beginning in the fourteenth century, a popular religious thought known as mysticism emerged. Mysticism was defined as the belief that an individual could commune directly with God in perfect solitude. There wasn’t any need for reason, for the church, for words, or for open worship. Yet, mystics didn’t oppose the church; rather, they offered a deeper religious understanding to things, in which the church, as a social institution, could not provide [Palmer, 71]. Many of these mystics were otherwise known as religious laypersons during the early sixteenth century, and were both humanists and writers who were religiously inclined and very influential during their time.

The spread of humanism from Italy to Germany and France was very distinct.  The humanists used their understanding of medieval history and language to build a “purer, more scriptural Christianity” [Perry, 317] compared to that of the Middle Ages. Two very important Frenchmen of this era were Michel de Montaigne (1533-1592) and Francois Rebelais (c. 1494-1553), both of whom exploited humanist ideals in a radical direction, writing reactions to the religious wars which resulted from the Reformation of Europe. Montaigne “advocated political quietism and acceptance of Christianity on faith” [Perry, 318]. He also argued that belief should be entirely liberal, and no one should be treated unfairly, especially punished, for what they think, except the religious dogmatists. Their certainty and self-righteousness got in the way of the fact that reason cannot be solely relied upon, especially in matters of religion. Due in part to Montaigne, a shift was caused in the Renaissance thought of this time- a shift that retreated from the idealism of humanism. The other Frenchman, Rabelais, similarly focused on the individual and their right to be independently minded and untied to a fearful and vengeful God. Rabelais said that, “Once freed from dogmatic religion, people could, by virtue of their native goodness, build a paradise on earth and disregard the one dreamed up by theologians” [Perry, 318].

Humanism throughout England contrasted with Spain whose church hierarchy gained such power that they were in control of all humanist learning and thoughts, exploiting it for their self purpose. The humanist views that spread across England were developed by secularists, including men in the government who were opposed to authority and tradition. Many members of the society attacked private wealth as the source of pride, greed, and human cruelty [Perry, 319], including an extremely influential humanist, Sir Thomas More (1478-1535), who argued that “an acquisitive society is by nature both unjust and unprosperous” [Perry, 319].</description>
		<content:encoded><![CDATA[<p>During the late fifteenth and sixteenth centuries, the Renaissance spread itself to Germany, France, England, and Spain, adapting to conditions not present in its birthplace, Italy. In the north, the Renaissance occurred more as a blend of old and new; Italy’s humanistic ideas blending with the north’s emphasis on “the emancipation of humanity’s limitless potentialities” [Palmer, 71]. During this period of the Renaissance, the religious sense in Italy, if not completely extinct, lay in the works of art glorifying God. In the north however, the religious thought “took on a more mystical and soberly moral tone” [Palmer, 71]. More simply put, pagan humanism classified Italy, while Christian humanism vastly took over the north. These northern humanists had nothing in common with Italy’s ideas of paganism; they were solely interested in what constituted original Christianity, and knowing this, they might be capable of reforming the corrupted church of their time. Beginning in the fourteenth century, a popular religious thought known as mysticism emerged. Mysticism was defined as the belief that an individual could commune directly with God in perfect solitude. There wasn’t any need for reason, for the church, for words, or for open worship. Yet, mystics didn’t oppose the church; rather, they offered a deeper religious understanding to things, in which the church, as a social institution, could not provide [Palmer, 71]. Many of these mystics were otherwise known as religious laypersons during the early sixteenth century, and were both humanists and writers who were religiously inclined and very influential during their time.</p>
<p>The spread of humanism from Italy to Germany and France was very distinct.  The humanists used their understanding of medieval history and language to build a “purer, more scriptural Christianity” [Perry, 317] compared to that of the Middle Ages. Two very important Frenchmen of this era were Michel de Montaigne (1533-1592) and Francois Rebelais (c. 1494-1553), both of whom exploited humanist ideals in a radical direction, writing reactions to the religious wars which resulted from the Reformation of Europe. Montaigne “advocated political quietism and acceptance of Christianity on faith” [Perry, 318]. He also argued that belief should be entirely liberal, and no one should be treated unfairly, especially punished, for what they think, except the religious dogmatists. Their certainty and self-righteousness got in the way of the fact that reason cannot be solely relied upon, especially in matters of religion. Due in part to Montaigne, a shift was caused in the Renaissance thought of this time- a shift that retreated from the idealism of humanism. The other Frenchman, Rabelais, similarly focused on the individual and their right to be independently minded and untied to a fearful and vengeful God. Rabelais said that, “Once freed from dogmatic religion, people could, by virtue of their native goodness, build a paradise on earth and disregard the one dreamed up by theologians” [Perry, 318].</p>
<p>Humanism throughout England contrasted with Spain whose church hierarchy gained such power that they were in control of all humanist learning and thoughts, exploiting it for their self purpose. The humanist views that spread across England were developed by secularists, including men in the government who were opposed to authority and tradition. Many members of the society attacked private wealth as the source of pride, greed, and human cruelty [Perry, 319], including an extremely influential humanist, Sir Thomas More (1478-1535), who argued that “an acquisitive society is by nature both unjust and unprosperous” [Perry, 319].</p>
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		<title>Comment on Essay questions for test on Sept. 29 by Rose Traubert</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2805</link>
		<author>Rose Traubert</author>
		<pubDate>Thu, 25 Sep 2008 14:37:35 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2805</guid>
		<description>Movement from the medieval importance of God and humans as only vessels of God to the renaissance belief that individuals and the attainment of individual excellence were more important.
    I.	  Social individualism
      a.      A new form of civic concousness and public  duty was expressed 
               i.    Individuals were now responsible for upholding their civic duties
               ii.   The writings of Cicero were highly relevant because they showed a sort                            of ethics that was independent of mideval and Christian tradition
    II.	  The cult of individualism
       a.	Renaissance indevidualism placed high importance on men achieving          extraordinary attainments
              i.	Women were excluded from outstanding achievement
       b.	Great men were expected to shape their own destinies
       c.	Men express virtú
              i.	The quality of being a man
             ii.	It means the successful demonstration of  human powers, excellence in endeavors
            III.	Individualism expressed in art
      a.	The middle ages were focused on other worldliness 
      b.	Renaissance art focused on “this worldliness”
              i.	A new sense of reality
             ii.	A new sense of space
      c.	reality now means visible and tangible people or objects in space
              i.	people and objects are “objective” because they look and feel the same to all people
              ii.	the function of art “now” is to convey reality in a way that is recognizable by the observer
       d.	space is now a knowable sone occupied  by physical human beings- no longer the unknowable or divine space of the middle ages
IV.	Architecture reflected in the new dendecies of space and reality
       a.	Architecture in Florence adopted Greco roman principles of deign
              i.	Symmetrical arrangements of doors and windows
             ii.	The classical column
            iii.	The arch and dome
       b.	Individualism in architecture in Florence is also shown by the fact that many public buildings of nonreligious character were built. This signifies that individuals were becoming more important that religion or God
       c.	Individualism in architecture is also seen as wealthy merchants built large homes to represent graneur and civic importance
              i.	Gardens and terraces were atdded to many such buildings
V.	Individualism in sculpture emerges because sculpture is now an independent and free standing art, whereas in the middle ages sculpture was only seen in the niches of cathedrals
      a.	Favored subjects of new sculpture are human beings which van now be viewed from every side
              i.	These figures were quite different from religious figures conveyed in medieval churches
      b.	Renaissance sculptores emulated much of the greek and roman sculpting tradition
               i.	Sculptors made busts of important contemporaries
              ii.	Figures of great leaders-sometimes on horseback
             iii.	Renaissance use of the nude in mythological or aligorical subjects showed that they viewed humanity in a way that was more like the greeks than the christians
VI.	Painting illustrated new found indevidualism not through subject matter but in its conception and presentation
      a.	Subject matter of painting remained conservative and often religious
      b.	The new understanging of space was evident in renaissance painting
              i.	Discovery of the math of prespective presented space in relation to the observer’s eye-this allowed the viewer to “enter” the painting
             ii.	A 3D effect was created by the representation of distances through variation in size.
            iii.	Chiaroscuro is invented-a way of shading which added the illusion of physical volume
            iv.	Human figures are placed in a setting whith a knowable boundry-people were part of the real world and part of the real world was painted into the picture.
             v.	The purpose of art now was to present a familiar theme in a understandable setting
       c.	Painters closely study the human anatomy to show people in living attitudes
              i.	Painters sought to depict individual personalities on the faces of their subjects
       d.	Even in religious paintings indevidualism was seen
              i.	Religious paintings now have people with separate faces
             ii.	Leonardo de Vinci’s The Last Supper shows Christ and his disciples with their own charecteristics</description>
		<content:encoded><![CDATA[<p>Movement from the medieval importance of God and humans as only vessels of God to the renaissance belief that individuals and the attainment of individual excellence were more important.<br />
    I.	  Social individualism<br />
      a.      A new form of civic concousness and public  duty was expressed<br />
               i.    Individuals were now responsible for upholding their civic duties<br />
               ii.   The writings of Cicero were highly relevant because they showed a sort                            of ethics that was independent of mideval and Christian tradition<br />
    II.	  The cult of individualism<br />
       a.	Renaissance indevidualism placed high importance on men achieving          extraordinary attainments<br />
              i.	Women were excluded from outstanding achievement<br />
       b.	Great men were expected to shape their own destinies<br />
       c.	Men express virtú<br />
              i.	The quality of being a man<br />
             ii.	It means the successful demonstration of  human powers, excellence in endeavors<br />
            III.	Individualism expressed in art<br />
      a.	The middle ages were focused on other worldliness<br />
      b.	Renaissance art focused on “this worldliness”<br />
              i.	A new sense of reality<br />
             ii.	A new sense of space<br />
      c.	reality now means visible and tangible people or objects in space<br />
              i.	people and objects are “objective” because they look and feel the same to all people<br />
              ii.	the function of art “now” is to convey reality in a way that is recognizable by the observer<br />
       d.	space is now a knowable sone occupied  by physical human beings- no longer the unknowable or divine space of the middle ages<br />
IV.	Architecture reflected in the new dendecies of space and reality<br />
       a.	Architecture in Florence adopted Greco roman principles of deign<br />
              i.	Symmetrical arrangements of doors and windows<br />
             ii.	The classical column<br />
            iii.	The arch and dome<br />
       b.	Individualism in architecture in Florence is also shown by the fact that many public buildings of nonreligious character were built. This signifies that individuals were becoming more important that religion or God<br />
       c.	Individualism in architecture is also seen as wealthy merchants built large homes to represent graneur and civic importance<br />
              i.	Gardens and terraces were atdded to many such buildings<br />
V.	Individualism in sculpture emerges because sculpture is now an independent and free standing art, whereas in the middle ages sculpture was only seen in the niches of cathedrals<br />
      a.	Favored subjects of new sculpture are human beings which van now be viewed from every side<br />
              i.	These figures were quite different from religious figures conveyed in medieval churches<br />
      b.	Renaissance sculptores emulated much of the greek and roman sculpting tradition<br />
               i.	Sculptors made busts of important contemporaries<br />
              ii.	Figures of great leaders-sometimes on horseback<br />
             iii.	Renaissance use of the nude in mythological or aligorical subjects showed that they viewed humanity in a way that was more like the greeks than the christians<br />
VI.	Painting illustrated new found indevidualism not through subject matter but in its conception and presentation<br />
      a.	Subject matter of painting remained conservative and often religious<br />
      b.	The new understanging of space was evident in renaissance painting<br />
              i.	Discovery of the math of prespective presented space in relation to the observer’s eye-this allowed the viewer to “enter” the painting<br />
             ii.	A 3D effect was created by the representation of distances through variation in size.<br />
            iii.	Chiaroscuro is invented-a way of shading which added the illusion of physical volume<br />
            iv.	Human figures are placed in a setting whith a knowable boundry-people were part of the real world and part of the real world was painted into the picture.<br />
             v.	The purpose of art now was to present a familiar theme in a understandable setting<br />
       c.	Painters closely study the human anatomy to show people in living attitudes<br />
              i.	Painters sought to depict individual personalities on the faces of their subjects<br />
       d.	Even in religious paintings indevidualism was seen<br />
              i.	Religious paintings now have people with separate faces<br />
             ii.	Leonardo de Vinci’s The Last Supper shows Christ and his disciples with their own charecteristics</p>
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		<title>Comment on Essay questions for test on Sept. 29 by jupadhy</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2804</link>
		<author>jupadhy</author>
		<pubDate>Thu, 25 Sep 2008 05:33:10 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2804</guid>
		<description>Jay Upadhyay, Period 3
Concept of History

The Christian view of history before humanism influence observed history as an “unfolding of God’s will (Western Civ. Packet Sixth Edition, Pg 309). However, as the shift towards secularism and humanism swept over the Renassaince, the way history was viewed was brought into a new light. Humanists stressed the importance that history was shaped by human actions and human will, which was the primary factor in shaping historical events. This idea of individualism remains consistent with humanist thought. 

Humanists used their new knowledge of Greek and Latin language to read documents from the Classical Antiquity. From this Greco-Roman history, humanists adopted Aristotle’s view of history being like a cycle. In addition, even though history is viewed as cyclicle, there is still some forward movement and progress. Humanist scholars saw the classical period as a time of light an the Medevil period as a time of darkness, which remains consistent with their idea of a cycle–with ideas of darkness and light, ignorance and illumination, and decline and rebirth. 

This cyclicle idea had several implications for the humanists. They viewed their time as the period of rebirth, and the preceding time as one of decline. The humanists believed in studying the classics of Greco-Roman history, and this led to the recovery of classical widom and ideals.

Bibliography

Palmer, tenth edition: pages 61-65
Perry,Western Civilization: Page 309</description>
		<content:encoded><![CDATA[<p>Jay Upadhyay, Period 3<br />
Concept of History</p>
<p>The Christian view of history before humanism influence observed history as an “unfolding of God’s will (Western Civ. Packet Sixth Edition, Pg 309). However, as the shift towards secularism and humanism swept over the Renassaince, the way history was viewed was brought into a new light. Humanists stressed the importance that history was shaped by human actions and human will, which was the primary factor in shaping historical events. This idea of individualism remains consistent with humanist thought. </p>
<p>Humanists used their new knowledge of Greek and Latin language to read documents from the Classical Antiquity. From this Greco-Roman history, humanists adopted Aristotle’s view of history being like a cycle. In addition, even though history is viewed as cyclicle, there is still some forward movement and progress. Humanist scholars saw the classical period as a time of light an the Medevil period as a time of darkness, which remains consistent with their idea of a cycle–with ideas of darkness and light, ignorance and illumination, and decline and rebirth. </p>
<p>This cyclicle idea had several implications for the humanists. They viewed their time as the period of rebirth, and the preceding time as one of decline. The humanists believed in studying the classics of Greco-Roman history, and this led to the recovery of classical widom and ideals.</p>
<p>Bibliography</p>
<p>Palmer, tenth edition: pages 61-65<br />
Perry,Western Civilization: Page 309</p>
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		<title>Comment on Essay questions for test on Sept. 29 by amorris1</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2803</link>
		<author>amorris1</author>
		<pubDate>Thu, 25 Sep 2008 05:21:35 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2803</guid>
		<description>Austin Morris

Magus and the Mastery of nature


During the medieval period, the church had complete power. It was believed that the lives of humans were to be determined by the divine will of God. It was not until the renaissance that this general idea was greatly opposed. As the religious power of the church began to dwindle, the world was viewed from more of a scientific point of view. These views looked at the world in a more literal way.  It was because of these views that people began to pursue things such as science, mathematics, literature, and art more actively. In the scientific realm, many great discoveries were made. Copernicus theorized that the earth revolved around the sun, and Leonardo Da Vinci began to illustrate the human anatomy in great detail. It was from discoveries like these that the image of the magi and the mastery of nature arose. With this knowledge, humans would not only be able to understand nature, but control it as well. It was with these views in mind that drove many scientists and mathematicians to search for a greater understanding of human nature, and its role corresponding with nature.</description>
		<content:encoded><![CDATA[<p>Austin Morris</p>
<p>Magus and the Mastery of nature</p>
<p>During the medieval period, the church had complete power. It was believed that the lives of humans were to be determined by the divine will of God. It was not until the renaissance that this general idea was greatly opposed. As the religious power of the church began to dwindle, the world was viewed from more of a scientific point of view. These views looked at the world in a more literal way.  It was because of these views that people began to pursue things such as science, mathematics, literature, and art more actively. In the scientific realm, many great discoveries were made. Copernicus theorized that the earth revolved around the sun, and Leonardo Da Vinci began to illustrate the human anatomy in great detail. It was from discoveries like these that the image of the magi and the mastery of nature arose. With this knowledge, humans would not only be able to understand nature, but control it as well. It was with these views in mind that drove many scientists and mathematicians to search for a greater understanding of human nature, and its role corresponding with nature.</p>
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		<title>Comment on Essay questions for test on Sept. 29 by John Tomlinson</title>
		<link>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2802</link>
		<author>John Tomlinson</author>
		<pubDate>Thu, 25 Sep 2008 02:48:04 +0000</pubDate>
		<guid>http://blogs.ucls.uchicago.edu/apeh/2008/09/19/essay-questions-for-test-on-sept-29/#comment-2802</guid>
		<description>Humanist literature was more free and open brining in different languages and ideas, moving away from the types of writing in the Middle Ages where scholars, and sometimes-even monks, wrote about philosophy, law, and hymns. But Humanist literature moved away from all of that and writers began to look at literature as their life’s work, and looked at the classics in a different way. Writers looked at the classics not with a Christian point of view, but a point of view to try and find the way of living. They looked at the classics to learn more about human nature, and to learn one’s civic duties. This was not possible in the medieval literatures. The writings in humanism were written for each other, and for the public. Humanist during this time period began writing in Latin, using the language in a new light. Since they could express themselves much more then in the medieval ages, where religion dominated in writing, it showed a new side to Latin. This use of the language helped refine it, but also push writers into using Greek, Italian, Tuscan, and Florentine. The use of Florentine in Italian writings began the first common spoken language besides Latin in Italy.

A History of the Modern World R.R. Palmer et. al
Western Civilization Mavin Perry et. al</description>
		<content:encoded><![CDATA[<p>Humanist literature was more free and open brining in different languages and ideas, moving away from the types of writing in the Middle Ages where scholars, and sometimes-even monks, wrote about philosophy, law, and hymns. But Humanist literature moved away from all of that and writers began to look at literature as their life’s work, and looked at the classics in a different way. Writers looked at the classics not with a Christian point of view, but a point of view to try and find the way of living. They looked at the classics to learn more about human nature, and to learn one’s civic duties. This was not possible in the medieval literatures. The writings in humanism were written for each other, and for the public. Humanist during this time period began writing in Latin, using the language in a new light. Since they could express themselves much more then in the medieval ages, where religion dominated in writing, it showed a new side to Latin. This use of the language helped refine it, but also push writers into using Greek, Italian, Tuscan, and Florentine. The use of Florentine in Italian writings began the first common spoken language besides Latin in Italy.</p>
<p>A History of the Modern World R.R. Palmer et. al<br />
Western Civilization Mavin Perry et. al</p>
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